2010s
Hope Dickson Leach’s debut The Levelling is a familiar story of grief, told with an emotional incisiveness by brand new talent, and reminds us the British film industry is alive and well.
Afterimage is the swan song of legendary director Andrzej Wajda, depicting the artist Władysław Strzemiński during Stalinist-era Poland.
B&B is a Hitchock-inspired thriller that manages, while not gracefully, to hit on a broad spectrum of issues gay people face in the West.
The Immortal Life of Henrietta Lacks tells the story of Henrietta Lacks, whose cells helped to give birth to modern bio-medicine.
Brace yourselves, for Australian horror Hounds Of Love is the most terrifying torture porn film since the genre’s inception.
Despite some well-directed action sequences, Unlocked is mostly fleeting entertainment, inserting nothing new into a tired-out spy genre.
Released in cinemas for one night only, Logan Noir is every bit as bloody, brutal and essential as its brightly coloured counterpart.
In the Shadow of Iris has inklings of greatness, but it suffers from a muddled plot and some questionable casting and production choices.
The Dinner might have attempted to do too much with its source material, but Steve Coogan is phenomenal, in one of his best roles to date.
With Table 19, writer/producers Mark and Jay Duplass have added another light and breezy flick to their eclectic filmographies.
Bad Rap documents the hard time Asian Americans have getting into the American hip hop scene, but should’ve offered a deeper exploration.
A remake of the Ealing classic, Whisky Galore! has its share of laughs, but its hard to tell just who or for what purpose the film serves.
Starring Jessica Chastain in one of her best recent roles, Miss Sloane is a triumphant political thriller that only occasionally falters.
Abacus: Small Enough to Jail focuses on a bank who could be scapegoated for the crisis without decimating the U.S. financial system.