2010s
Amir Bar-Lev’s devotion for the Grateful Dead is a clear, but his skill makes Long Strange Trip a movie that even non-believers can appreciate.
It’s rare that a film will come along and synthesize the era we live in so succinctly as Miguel Arteta’s Beatriz At Dinner.
As given by its name, A Ghost Story is a supernatural tale, yet it touches on themes of love and grief in a uniquely beautiful way.
This insightful, genre bending thriller shouldn’t slip under the radar- it should transform Victor Almanzar to an in-demand screen presence.
There’s a way, many ways, actually, to make a satisfying film about a lighthearted romp, but Paris Can Wait never finds any of these paths.
While I Am Jane Doe suffers from some questionable editing and music choices, it is a significant film that deserves global recognition.
Frank Vs. God delivers a solid thought provoking film about a man who loses everything and fights against the term “act of good”.
The only thing to “Be Afraid” of is the lack of originality in this uninteresting horror effort from director Drew Gabreski.
I Am Heath Ledger is a deeply intimate look at the late actor, but fails to ask important questions about the man behind the mask.
Documentary distributors Dogwoof continue their hot streak with this fascinating inside look at Ronald Reagan’s presidency.
47 Meters Down is a total shark sandwich of a film, that will leave every audience member wishing they were watching Jaws instead.
The excellent performances by Weisz and Claflin sadly don’t make up for the fact My Cousin Rachel is boring to the point of tedium.
Moka is a French slow burning drama that occasionally conjures some suspense, which makes it fascinating in its own way.
The Book of Henry is strange from its outset, and its lack of redeeming characters or strong emotional moments doesn’t much help matters.
The Autopsy of Jane Doe has an absolute doozy of a premise, but it soon gives way to ticking off every horror cliche in the book.