2010s
Birthright: A War Story is a powerful study of the limits on a woman’s reproductive health, ranging from abortion to lesser-discussed issues.
The best thing about Footnotes is that it’s just 78 minutes. But there are so many other, better ways you could spend your time.
Dark Blue Girl is a cautionary tale for parenthood that reminds us that no one has control over who their child will become.
Devoid of any subtlety and bereft of a strong plot, the fact that a film so reductive as Blind was made this recently is quite shocking.
The Sabbatical isn’t your typical midlife crisis film – it is highly unpredictable in the best sense of the word.
Basically, Despicable Me 3 is a lackluster reworking of what worked in the previous films, with more jokes and less heart.
A deeply touching film about sexuality, Between The Shades opens the door to seeing LGBTQ+ people as exactly what they are. Human.
Love at First Child offers nothing new in the romantic comedy genre, but some laughs and chemistry between the leads make it a pleasant watch.
Abraham Lincoln: Vampire Hunter shocks and surprises as it makes you think twice about Lincoln’s true identity.
Spider-Man: Homecoming is a refreshingly comedic and lighthearted superhero film, but it doesn’t quite work as part of a larger universe.
Whitney: Can I Be Me focuses more on the context and hidden traumas of Whitney’s life than the music itself, but that’s no bad thing.
Good Fortune tells the rags to riches story of billionaire John Paul DeJoria, and how he dedicates his time and funds to good causes.
With poorly constructed flaws, Churchill isn’t an overly powerful reinvention of the traditional biopic film.
The feminist undertones, stunning performances,cinematography and costuming more than make up for The Beguiled’s shallow story line.
We have the Academy to thank for bringing this warmly humorous Swedish gem to our attention – it’s one of the year’s most likeable films.