2010s
Whose Streets? is a black story told by black voices, presenting a perspective that has remained elided in mainstream debate over black bodies and lives.
Although unashamedly made for the youngest audiences possible, Captain Underpants is infectiously charming to all ages.
When Pilgrimage learns what kind of film it’s trying to be, it’ll give you everything you’ve wanted from it – and maybe more.
A wonderful debut from essayist Kogonada, Columbus is as much about slowing down and taking stock of your life as it is a slow burn in itself.
Though with the talented Halle Berry at the helm, Kidnap is a poorly made action thriller that is lacking in story, acting, and execution.
The Void can’t make its ideas fully blossom. Regardless, it always feels good to see filmmakers succeed in creating the work they wanted.
Gook is an irresistible film that manages to breathe new life into a narrative set within the confines of this particular historical setting.
Talya Lavie’s Zero Motivation is simultaneously funny, serious, sentimental, sarcastic, slapstick, and totally unique.
In the Shadow of Women is alluring in its presentation, but ultimately doesn’t have much to say about infidelity and relationships.
Gerard Butler’s attempts to shake off his action hero image in A Family Man are commendable, but he is miscast in this saccharine drama.
After Love thrusts you into the middle of a domestic war zone. Thanks to the claustrophobia and heightened tension, there are very few moments in the film that aren’t fraught with emotion; whether it be fury, devastation, or even, on occasion, love (or at least what’s left of it).
Brave New Jersey is a fictional yet charming look at the aftereffects of Orson Welles’ famous War of the Worlds broadcast on a small town.
Atomic Blonde may be sloppy in structure, but it is oozing with immaculately executed action and a finely tuned performance by Theron.
What makes Third Star special is its no-holds-barred approach to terminal illness, coupled with its magnificent cast and script.
Landline’s Gillian Robespierre & Jenny Slate understand that female characters can do unlikable things while still earning our empathy.