2010s
6 Days is a mostly well-made film based on true events, but its similarity to our current political climate makes it an uncomfortable watch.
As a coming-of-age tale, Liza, Liza, Skies Are Grey is inoffensive, as a reminiscence of the Cold War years, it’s inert, as a whole it’s completely inconsequential.
In Megan Freels Johnston’s The Ice Cream Truck, sweet treats and sugary snacks are traded for bloodshed and suburban violence.
More Than a Word discusses and explores the Washington football team’s controversial name, casting new light on a longstanding issue.
Chronically Metropolitan is a quirky romantic indie about life in New York City; though not perfect, it’s reasonably enjoyable.
With effective sound design and plenty of earned scares, Annabelle: Creation is another successful entry in the continuing Conjuring saga.
The Incredible Jessica James has an infectious charm to it, bolstered by Williams’ strong lead performance and a positive central message.
Ying & Yang is empowering and heartbreaking, giving a window into the messed up mind of a man deciding his own fate.
The Passion of Augustine offers glimpses into life before womanhood sets in and all the growing pains that come with this journey.
Home is an unapologetic look at the limited options available for Kosovo women and the oppression of its patriarchy.
Though with potential, Risk is ultimately an unoriginal look at Julian Assange, and pales in comparison to Poitras’ past work.
Australia Day is a Crash-style drama that contrasts 3 different minorities facing persecution and racism on the backdrop of Australia Day.
Beyond Food is a documentary that explores recent trends and diets in the food industry, asking advice from numerous professionals. We spoke with director Tom Reyes.
The Dark Tower may not be a complete disaster, but it has numerous flaws that weigh down what could have been an entertaining film.
Another entry in the continuing trend of independent horror, Cut Shoot Kill just manages to stand out amongst the masses.