2010s
Despite a winning performance from Lola Kirke, it looks like Fallen’s destiny is to be assigned to the scrapheap of YA movie history.
Batman And Harley Quinn’s lack of action and poor voice acting for the character of Harley Quinn make for a disappointing film.
Despite two talented leads, The House suffers from a script that doesn’t utilize their talents, ultimately becoming forgettable as a result.
Though visually enticing, Valerian and the City of a Thousand Planets is bogged down by a bloated script and poorly written characters.
Anti Matter displays ingenious science fiction storytelling on a micro budget- but sadly, the film falls down a wormhole of its own making.
Predictable, overbearing, and generic, Ghost House is a film that is lacking in all the essential ingredients that make up a great horror.
Despite committed, enjoyable performances from Samuel L. Jackson and Ryan Reynolds, The Hitman’s Bodyguard is tired, cliched and overlong.
Russian sports documentary Make them Believe brilliantly uses the lofty dreams of a college wrestler to examine how we chase our goals.
God’s Own Country, a unique coming out story, is an amazing directorial debut for Francis Lee despite some minor, forgivable missteps.
Though choppy and unfocused, with campy and cringeworthy acting, The Evil Within it has a certain charm behind its bizarre facade.
Ingrid Goes West is a great commentary on our obsession with social media but while it is a good comedy it fails to be truly remarkable.
Coogan and Brydon bare their truest selves in The Trip To Spain, resulting in an emotional and bitingly honest chord that rings mellifluous with the viewer.
Lightningface is a 20 minute short film starring Oscar Isaac as his life changes drastically after being struck by lightning.
The Layover has its moments of humor, but it is bogged down by an unfocused script and overly clichéd characters.
While full of plot holes and shakes characters, What Happened to Monday is still a weird, yet perfect movie for a night in.