2010s
Though not every element of The Square works, and frequently gets heavy-handed, it’s hard not to appreciate Ruben Östlund’s sense of humor.
An Oscar worthy documentary, Dina is an entertaining film unique in its portrayal of the people behind the autism label.
You Were Never Really Here is a rare film that is conclusive proof that a great director can elevate familiar source material.
The ensemble may be the only thing of interest in The Ritual, which is otherwise riddled with clichés and saddled with an uninspired story.
If nothing else, Te Ata triumphs at breathing new life into a legend, and allowing us the pleasure of re-experiencing her vital legacy.
No Dress Code Required is a politically charged but impressively intimate look at one gay couple’s fight for the right to marry.
Despite a strong premise, The Unraveling is a film that doesn’t quite go to that dark place that it should, with poor writing and acting.
Tao Raspuli’s Monogamish asks the viewer to challenge their own pre-conceptions on relationships, with an effective, non-judgemental eye.
Despite big, loud, planet destroying special effects, Geostorm still ends up feeling like a dull, tired excuse for a blockbuster.
The skillful assembly of wondrous never-before-seen footage makes Jane the definitive tribute to the icon’s life and work.
In this in-depth analysis of Julia Ducournau’s Raw, Sophia touches on themes of sexuality, biblical references, and BDSM, among others.
Brad’s Status is a film about social media that is bolstered by its performances, but ultimately it is not particularly memorable.
Feeling both vitally important and imminently personal, The Light of the Moon is as remarkable as its title is poetic – and twice as powerful.
It may take certain liberties with the truth, but Professor Marston and the Wonder Women is still an enjoyable, inspirational biopic.
Loving Vincent is a stunning work of art, with every frame a Van Gogh-style painting, and it’s intriguing on a narrative level as well.