Fluctuating between the brilliant and the unremarkable, the filmmaker’s body of work is a sensitive seesaw, ready to shift its weight at any given moment.
A deeper look at the final moments of Moonlight and A Portrait of A Lady on Fire lead to a profound philosophy of acceptance applicable to everyday life.
Disappearance at Clifton Hill is at-times intriguing and often stylish, marred by its cliched insistence on making the audience question the authenticity.