2010s
There is a deep love that carries through the devastation, Train to Busan delivers what movies are all about.
For this Horrific Inquiry we take a look at 2010’s vampiric Let Me In.
Coby Kiefert walks you through how horror’s portrayal of women over the years has progressed, and what this gradual change signifies.
The themes of “Fleabag” are heavily supported by the visuals, particularly emphasizing the undertones and tonal shifts between seasons one and two.
“Princess Cyd” is superbly shot, written and acted, with a relaxing slice-of-life approach to its story that makes it a delight every time.
Despite positive feedback from the press, The Nice Guys went overlooked by the public, sadly tanking at the box office. It’s time to fix that problem.
Good Omens season two is truly beautiful in every sense of the word and is an absolute must-watch.
Sleeping With Other People aptly captures humor while offering a generous dose of heartfelt moments.
While Blue is the Warmest Color was universally lauded, the film drew controversy over its graphic sex scenes and intense directorial methods.
Surfer: Teen Confronts Fear is both unique in the canon of midnight movies and reaffirms what makes each of them wonderful.
While Still the Water feels pleasant, its existential questions are frustratingly left untraversed by its subtlety.
It confounds and reverberates; The Lobster sings a singularly eccentric tune.
A horrific holiday horror, Pilgrim has all the trimmings – both the good and the bad.
Unpredictable and unapologetically violent, Terrifier may seem like a B-horror, but it is far from it.
This is No Game: Why READY OR NOT Still Matters
Over time, the social commentary underlying the blood and gore of “Ready or Not” has increased in relevance related to our current financial predicament.