2007
Viva is told by an indie woman director whose mise-en-scene and script pay tribute to classic musicals.
Nuanced and deeply layered, The Mist proves itself not only to be a well crafted horror, but an example of the true power of adaptations.
It may not be the standout Zombie was hoping for, but Halloween finds its own brutal identity along the way while still honoring the original.
All is Forgiven chronicles the breakdown of a family and a daughter’s attempt to understand the real reasons why many years later.
Trick ‘r Treat lives up to its reputation taking the traditions of the holiday and wielding them into a horrific tale of lore, murder, and revenge.
The Queerly Ever After column celebrates its 50th entry with Christophe Honoré’s 2007 film Love Songs (Les Chansons D’Amour).
While it might have become a bit dated along the way, Dead Silence is still a brilliant horror film to terrify.
State Legislature, Monrovia, Indiana, and City Hall may each look at different levels of governance, they all present the importance of public service.
Hannibal Rising poses the question about what kinds of monsters we make of ourselves by settling for the aesthetics of political virtue.
Shelter is the kind of film you watch when you want something that is wholesome, but not chaste, that will end happy.
Queerly Ever After is a bi-monthly column where I take a look at LGBT+ films…
Back Soon is certainly an enjoyable bad movie, but for any bold statements on sexual fluidity you’re better off watching something else.
Music and Lyrics might not venture too far into uncharted waters, but with some solid voices, and plenty of hummable beats, it’s a crowd-pleaser that takes it a step further with its heart.
2007’s The Lookout boasts a talented cast, and manages to be fun while maintaining suspense – it’s a hidden gem that’s worth discovering.
Saw IV goes even bigger than its predecessors, but with the loss of the franchise’s main writer, the story loses much of its oomph.