2003
While Gothika may not have stood the test of time, or have the most plausible horror narrative, it delivers an eerie watch.
Love Actually is as heartwarming as it is quotable – the experience of love and joy a permanent staple each and every year.
Film Inquiry spoke to writer, director, and historian John Mulholland about his new documentary: Inside High Noon.
For this Away from the Hype Sean Fallon takes a look at The Matrix Sequels. How do they hold up?
As a film about fathers and their sons, The Return is about the difficulty certain men have expressing love for one another.
Criterion’s upcoming edition of Memories of Murder comes highly recommended to both fans of the film and new viewers alike.
Sure it doesn’t have the best acting, narrative or even the best effects, but Freddy vs. Jason offers audiences a return to slashers of old.
In 2003, Taiwanese auteur Tsai Ming-liang released his masterful ode to the magic of movie theaters, Goodbye, Dragon Inn.
That’s one of the great joys of Memories of Murder. From purely a storytelling perspective, it synthesizes together something totally compelling.
Mambo Italiano is a comedy so broad and uncommitted it doesn’t know what to do with itself, leaving much to be desired.
Kontroll may be subterranea, but it should remind us to keep close watch over the politics of our own transition now.
After 15 years, Elf is still undeniably a warm and charming Christmas film, still retaining its spot as a holiday favorite.
I first watched Party Monster a couple of years ago, when once-infamous club promoter Michael Alig was released from prison, where he served 17 years for brutally murdering his drug dealer. The 2003 biopic, based on James St James’ memoir, “Disco Bloodbath”, flew under the radar during its initial release. But the film’s subject, “Club Kids” of ’90s Manhattan, once commanded TV screens across the country.