2001
No films better symbolize the livewire energy of this era in Hong Kong filmmaking than those focused on the youth of the region, such as Spacked Out.
Bridget Jones’s Diary is a classic, yet refreshing, take on the rom-com, showing the imperfectly wonderful side of romance in your thirties.
It’s impossible to not feel a bit existential after watching Millennium Mambo, and with a sumptuous new 4K restoration now available there’s no better time.
Valentine was never meant to be a deep well of thought within a slasher, but it does, even when it leaves much to be desired.
From the ghosts that inhabit the home to the outstanding performance of Matthew Lillard, Thirteen Ghosts is sure to have a little something for all.
It’s not a perfect specimen in filmmaking, but My Sassy Girl is an imperfect exercise in romantic storytelling that can’t help but win you over.
The latest edition of Film Inquiry’s horror movie-centered column, Horrific Inquiry, takes a look at the 2001 Japanese film Kairo, or Pulse.
Retirement from the force isn’t just the end of his career — it’s the annihilation of his entire identity.
What kind of character is Audrey Tautou play in Amélie when we examine her again 18 years since the film’s initial release? Read on for our verdict.
November saw the release of three Robert Altman films on Blu-ray: Brewster McCloud, The Gingerbread Man and Gosford Park. We delve into the last two.
In this installment of Take Two, Robb Sheppard reconsiders David Lynch’s Mulholland Drive after a less-than-satisfying first viewing.
Enid and Rebecca’s ironic appreciation of pop culture in Terry Zwigoff’s 2001 cult film hides an insightful look at young adulthood.
Alex Arabian discusses Donnie Darko, a masterpiece that remains one of the most relevant, urgent and timely films of the last 50 years.
In the next of our Take Two series, we tackle Cameron Crowe’s Vanilla Sky, which may not be quite as remarkable as initially remembered.
Sure, we’ve all heard the rumours: topping the critics’ pick of the flicks for this century, hell, this millennium so far, is David Lynch’s Mulholland Drive. But what exactly happened up in the darkness of those famous hills, on those enticing yet savage switchbacks?