2000s
Despite some predictable plotlines, it doesn’t take away from the quality, experience, and entertainment The Uninvited promises to its audience.
It’s not a perfect specimen in filmmaking, but My Sassy Girl is an imperfect exercise in romantic storytelling that can’t help but win you over.
For this week’s entry of Queerly Ever After, we take a look at 2002 French TV-movie You’ll Get Over It.
While this remake may not be the first film that comes to mind this Father’s Day, it is an enjoyable horror film that lends itself to multiple rewatches.
Looking back on Chris and Paul Weitz’s 2002 comedy About a Boy, one can’t help but find a perfect pandemic watch.
For 45 years, the film was believed to be lost, but George Romero’s film has now resurfaced, and The Amusement Park is definitely worth a visit.
As a film about fathers and their sons, The Return is about the difficulty certain men have expressing love for one another.
The latest edition of Film Inquiry’s horror movie-centered column, Horrific Inquiry, takes a look at the 2001 Japanese film Kairo, or Pulse.
The Queerly Ever After column celebrates its 50th entry with Christophe Honoré’s 2007 film Love Songs (Les Chansons D’Amour).
While it might have become a bit dated along the way, Dead Silence is still a brilliant horror film to terrify.
Criterion’s upcoming edition of Memories of Murder comes highly recommended to both fans of the film and new viewers alike.
Big Eden could have been a really cute romantic movie, but it gets hampered down and suffers from its own clunkiness.
Despite the star power, it’s Adrien Brody, playing the sad, mopey playwright Jack Driscoll, that outshines them all.
Warner Bros. prepared the release of the first film in the MonsterVerse, Gareth Edwards’ Godzilla, on the 4K Ultra HD Blu-Ray format.
Whether you’re looking for ethical complexity or fascinating character studies, you won’t find it in Watchmen.