1996
Criterion’s new 4K Ultra HD Blu-Ray is the best Trainspotting has ever looked and sounded on home video format and is the definitive way of viewing.
In Ferrara’s world of fatalistic nihilism in The Funeral, there’s no escape from life torments, and only death and self-destruction hold the key.
In the years since its release, Scream has proven itself to be a staple of a genre and an undeniable part of horror cinematic history.
In Kids Return, the warmth of Kitano’s brand of brotherhood glows on the palate long after the acidity of his cynicism has subsided.
A detailed review of Olivier Assayas 1996 film Irma Vep the Criterion edition that includes audio, video, and special features.
For this Queerly Ever After, Amanda Jane Stern takes a look at the 1996 film: Different for Girls.
Celebrating its Blu-Ray, courtesy of Criterion, Crash remains one of Cronenberg’s most fascinating and daring cinematic provocations to date.
Jingle all the Way is undeniably a trashy film, but it’s hard to beat the comedy of Arnold Schwarzenegger running around town fighting his way to purchase a Turbo Man action figure.