1993
Shinji Somai’s magnificent 1993 coming-of-age film, Moving—now available in a new 4K restoration from Cinema Guild—can be interpreted in several ways.
Household Saints is a strange yet satisfying brew of family drama and spiritual contemplation that deserves the broader audience it has been denied.
Addams Family Values delivers not only a new member to the family but also brings the Addamses into a broader world beyond the confines of their mansion.
Krzysztof Kiéslowski’s spiritual trilogy of films deals with the three pillars of French democracy in Blue, White & Red.
Gold at the end of the rainbow, ancient magics, and leprechauns all to delight and even terrify. This was the goal of Mark Jones’ Leprechaun.
Luke Parker spoke with director Victor Nunez about his 1993 Sundance winner Ruby in Paradise, which has hardly seen the light of day since.
By analysing the different ways that True Romance could’ve been structured, we can clearly see the stylistic differences between two filmmakers.
Sonatine, Takeshi Kitano’s riff off the Yakuza genre, helped him gain an audience outside of his native Japan. Read our review to learn more.
Horror classics When A Stranger Calls (1979) and When A Stranger Calls Back (1993) are being re-released on BluRay. Alex Lines takes a look.
What’s Eating Gilbert Grape is a story of deep familial relationships suggesting the importance of understanding the struggles of mental health.
It’s been 25 years since Groundhog Day premiered, but its enduring quality lives on. Its humor, tender performances, sincerity, and feel-good ending are just as impactful as the raw existential statement that it provides about how to find true contentment.
With innocent characters and a basic plot, the beauty and simplicity of The Nightmare Before Christmas has helped it stand the test of time.
In Andrew Davis’ brilliant 1993 thriller The Fugitive, the filmmakers use a variety of techniques to lead the viewer through the story. They drop hints with color and lighting that viewers are not necessarily trained to consciously notice while they’re watching, and employ a gripping editing style that effectively supports the cat-and-mouse game that embroils the film’s two main characters. Every movie has content, which is what is seen and heard on screen, and what is referred to as form, which is the way in which the film’s creators manipulate that content to their own ends and present it to the viewer.