1980s
Tarkovsky’s work redefined how the language of cinema can be used to tell stories, especially with The Sacrifice.
For this Horrific Inquiry we take a look back at Friday the 13th, Part II!
Brats is a reminder old wounds can calcify and scab over turning into the foundation for something all the more beautiful.
With holiday season underway, Charles E. Sellier’s Silent Night, Deadly Night was the perfect way to usher in the spirit on this Horrific Inquiry.
Die Hard is not a film that just occurs during the holiday season, but rather because of it.
Scrooged skillfully blends a cocktail of valuable lessons and infectious laughter, ensuring its place as a memorable addition to the holiday film canon.
Pet Sematary feels like a good time horror film wrapped in the Stephen King charm, but it is terrors run deep and its implications devastating.
It’s Friday the 13th – and Horrific Inquiry knew exactly which film it had to tackle!
For this edition of the column I decided to dive into two of Paul Verhoeven’s interesting and unique filmography.
Both P.P. Rider and Typhoon Club showcase many aspects of Somai’s signature style, Lee Jutton takes a look at both.
Few filmmakers can say they’ve made a movie as fun, free, and ultimately bittersweet as Tokyo Pop.
The Sea Prince and the Fire Child is a classic waiting to be discovered.
Evil Dead is brutally violent and unrelentingly gory, yet it is also the work of an artist with a passion for the craft.
Away from the hype, Akira fares very, very well, remaining the Rosetta stone for so much sci-fi, body horror, and cyberpunk today.