1973
Criterion has prepared a 4K Ultra HD Blu-Ray edition of Jean Eustache’s The Mother and the Whore, marking the first release of the film on the format.
Ultimately, films like The Craft, The Love Witch, and even The Witch wouldn’t be the same without Romero’s should-be classic, Season of the Witch.
While the Boston movie itself seems to have gone the way of the Western, the appeal of its core themes, and its sensibility seems to remain.
And with harvest season upon us, it seemed the perfect time to dive into this critically acclaimed horror classic.
For 45 years, the film was believed to be lost, but George Romero’s film has now resurfaced, and The Amusement Park is definitely worth a visit.
As we await the release of No Time To Die, Jake Tropila takes a look back at Live and Let Die, Roger Moore’s first film as James Bond.
The film making is far from flawless, but what Ganja & Hess really projects is the sense that it came from a person who wanted the work to reflect himself.
Second Sight’s revival of World on a Wire is vital for not only highlighting one of Fassbinder’s more underrated efforts, but for resurrecting one of the essential texts of science fiction.
While Emperor of the North (1973) accurately portrays the unique subculture of the hobo in many ways, it also does itself a disservice by removing friendship between hobos, a central aspect of hobohemia.
Every year, between five to ten movies are bestowed the honor of being nominated by…
‘So Bad They’re Good’ movies are a thing now. Movie list websites are awash with them. Troll 2 is often the high-watermark, and it appears that most of these no-budget horrors tend to be of American origin.
Over at our official Facebook page, we are currently posting daily film recommendations, with each week being a different theme. This is a collection of those recommendations! This week’s theme is focused on the year 1973.