1971

HAROLD AND MAUDE: Revisiting Hal Ashby's Inspirational Cult Classic After 50 Years
HAROLD AND MAUDE: Revisiting Hal Ashby’s Inspirational Cult Classic After 50 Years

Even more so than its celebratory aspects, Harold and Maude holds a special place in my heart because of what it meant to me when I first watched it.

DUEL At 50 Spielberg's Car Chase Thriller Speeds Across Nixon-Era America
DUEL At 50: Spielberg’s Car Chase Thriller Speeds Across Nixon-Era America

A 50th Anniversary retrospective on Steven Spielberg’s first feature-length film, Duel, and its place in Nixon’s America.

Awkward Souls 50 Years Of Mike Leigh’s Bleak Moments
Awkward Souls: 50 Years Of Mike Leigh’s Bleak Moments

Back in 1971, Mike Leigh’s Bleak Moments showed the director’s take on the awkward moments that make humanity so complex and compelling.

NO TIME TO DIE Countdown: DIAMONDS ARE FOREVER Revisited
NO TIME TO DIE Countdown: DIAMONDS ARE FOREVER Revisited

As we await the next film in the franchise, we take a look back at Sean Connery’s return to the role of James Bond in Diamonds Are Forever.

Queerly Ever After 1: GIRL STROKE BOY (1971)
Queerly Ever After #1: GIRL STROKE BOY (1971)

For all its flaws, Girls Stroke Boy is a portrayal that is more progressive than a lot of current cinematic depictions of trans people.

SWEET SWEETBACK’S BAADASSSSS SONG: A Blaxploitation Classic That Remains All Too Relevant Today
SWEET SWEETBACK’S BAADASSSSS SONG: A Blaxploitation Classic That Remains All Too Relevant Today

Sweetback’s rage is infectious, especially since the relations between the police and the black community have changed so little since the film’s release.

A TOUCH OF ZEN: Cosmic Beauty In Discipline
A TOUCH OF ZEN: Cosmic Beauty In Discipline

The new Criterion Collection release of A Touch of Zen includes director King Hu’s own notes on the film. In these notes, Hu discusses a conversation he had with a Zen Buddhist who told him that Zen must be understood not through verbal explanation, but through an enlightening experience. Despite his renown as a director of wuxia films, Hu was neither a Buddhist nor a martial artist; but, he believed that capturing an experience of Zen would make for a strong film.

THX 1138 Is The Foundation of Dystopian Science Fiction Film

Most people I tell about THX 1138 have never heard of it before. When I tell them it was George Lucas’ first feature-length film, they look at me dumbfounded. Though, if you’d have told me about THX a few years ago, my reaction would probably have been the same.