1970s
Promoted as being based on a true story, The Texas Chainsaw Massacre reached into the recesses of the mind, pushing audience expectations to a new level.
Even more so than its celebratory aspects, Harold and Maude holds a special place in my heart because of what it meant to me when I first watched it.
A 50th Anniversary retrospective on Steven Spielberg’s first feature-length film, Duel, and its place in Nixon’s America.
In the first Animation Sensation, Dallas Marshall reviews Wizards, that while flawed, is worth checking out just for its audaciousness alone.
We took a look at Criterion’s September releases, including Johnnie To’s Throw Down and Melvin Van Peebles: Essential Films.
And with harvest season upon us, it seemed the perfect time to dive into this critically acclaimed horror classic.
While not without its controversy, Pier Paolo Pasolini’s Salo, or the 120 Days of Sodom remains a ferocious work of art.
Criterion welcomes classics new and old to its collection this month with the addition of Beasts of No Nation, Afterlife and more!
For 45 years, the film was believed to be lost, but George Romero’s film has now resurfaced, and The Amusement Park is definitely worth a visit.
Donkey in a Brahmin Village is deserving of its cult status in Indian cinema as it dared to expose the hideous aspects of religion and society.
The 1979 film Stalker is a road movie where characters go deeper into their own minds and what worries the deepest hidden corners of their body and soul.
Back in 1971, Mike Leigh’s Bleak Moments showed the director’s take on the awkward moments that make humanity so complex and compelling.
With a beautiful 2K restoration, a great audio track, and an incredible selection of supplements, this is absolutely worthy of addition to any collection.
It was a minor miracle, and in great part attributable to Van Peebles, that Watermelon Man turned into such a masterpiece.
A Grin Without a Cat is a potently poetic diatribe regarding political fervor, social upheaval, and oppression of all kinds.