We’re hours away from discovering the winners of the 70th Primetime Emmy Awards; you’ve seen our choices for the Acting categories (here and here) – both the drama categories and the comedy/miniseries combo – so now is as good a time as any for us to plant the flags for Programs. Our team of writers could throw their support behind up to three of the nominees from the Outstanding Comedy Series, Outstanding Drama Series & Outstanding Limited Series categories. Who comes out with the most love?
Outstanding Drama:
Game of Thrones (HBO) – Jo Bradley
“Considering the series-best moments that were Game of Throne’s Season Six’s ‘Battle of the Bastards’ and finale episode, it was always going to be difficult to maintain that impressive momentum going into Seven.
However, Game of Thrones Season Seven brings what Six was lacking: a clearer sense of focus and unity of storyline. This series started with a core group of characters, and then flung them across the seas into all corners of Westeros and Essos. While the sprawling nature of this show makes it so great, it can also provide a challenge for viewers to keep track of so many characters and stories. Season Seven still has an impressive ensemble, however by having three main players- Jon Snow (Kit Harington), Daenerys Targaryen (Emilia Clarke), and Cersei Lannister (Lena Headey)- and every character following one of these Kings or Queens, it makes the plot easier to keep track of, and more satisfying to watch.
Season Seven sees some fantastic moments from characters we’ve grown to love and hate over the past seven years. Sansa Stark (Sophie Turner) comes into her own this season as a leader not to be messed with. Headey’s Cersei remains a power-hungry dictator, and when placed in opposition with Jaime (Nikolaj Coster-Waldau), her brother/lover with a newfound moral compass, is fascinating and compelling drama.
There were so many tense and satisfying confrontations delivered by actors doing some of their best work: Tyrion and Jaime, Arya and Brienne, Olenna and Jaime, Jon and Daenerys, Sansa and Littlefinger, Cersei and Tyrion- the list goes on. Season Seven brought satisfying, long-awaited reunions, thrilling new alliances, jaw-dropping battle scenes and the heightening power of major players like Daenerys and the Night King.
Show stopping battle scenes, shocking deaths, and exciting character interactions places Game of Thrones Season Seven up there with some of its best work. The HBO show remains, as ever, a complex and thrilling study of power dynamics, fit with outstanding performance, superb production value and exhilarating plot twists.”
The Handmaid’s Tale (Hulu) – Nathan Osborne
“The Handmaid’s Tale again asserts itself as one of the defining pieces of television for our times. In its second season, the Hulu series continues to tackle timely themes and important issues deep-rooted in our reality, while developing the emotionally profound and complex core unique to June and her journey through Gilead.
So very astutely, this second batch of episodes (extended from ten to thirteen) manages to balance a wider scope and broader social commentary with a tight focus that remains committed to the plethora of fascinating characters it has introduced, placing June at the very heart. Expertly led by a frequently-shattering performance from Elisabeth Moss, with terrific supporting turns from Yvonne Strahovski, Ann Dowd, and Joseph Fiennes, the show undeniably captures a zeitgeist while being an extraordinarily accomplished piece in its own right. And, as perhaps the most gorgeous television show on our screens at the moment, the imagery is interlaced so strikingly throughout; it is unbelievably power on a visual level as well.
It’s not a perfect series, and on a couple occasions it demonstrates signs of retreading old ground, leading me to question whether the episode extension was worth it – but for the most part, The Handmaid’s Tale is a defining piece of filmmaking that holds a fractured mirror to our reality, with plenty of provoking and evocative emotions charging this largely brilliant second run. It is easily one of the most impressive things on our screens, big or small.”
Stranger Things (Netflix) – Kristy Strouse
“Since Game of Thrones is one of my favorite shows, and the last season was epic, I’m okay with that winning best drama. In fact, the best dramatic series category this year is brimming with deserving entries. Including, Stranger Things.
How do you come back after having an unforgettable first season? By having a second season that still maintains the electricity of its freshman take. This series captured everything we love about sci-fi and horror mixed with the nostalgia of the 80’s. In season two we got some fabulous additions to the cast with Sadie Sink as Max, Bob (Sean Astin), and Dr Sam Owens (Paul Reiser), as well as all of the returning favorites. Everybody was at the top of their game.
While it might not flow as fluently as its first season, there was a deeper connection to its characters. I’ve been watching these kids (and their respective adult co-stars) for two seasons and I only love them more. By the end there’s a significant sense of relief that the Duffer Brothers delivered, and a sense of longing as the wait for season three begins. What will they get into next?”
Best Comedy Series:
GLOW (Netflix)- Adriana Gomez-Weston
“GLOW has definitely earned its spot as an awards contender in the comedy race. While it can’t always be described as funny, (at times even it can be tragic) GLOW finds humor in life’s darkest moments and utilizes it to bring together an unlikely group of women. It’s one of the rare shows that places its actresses front and center and allows them to air out their dirty laundry for all to see. What’s strange is that the fictional GLOW rises to fame due to its horrendous stereotypes, but the actual show turns stereotypes on their heads. GLOW is inspiring, exciting, and fun to watch.
Every cast member tunes in an amazing performance, especially Betty Gilpin (Debbie), Alison Brie (Ruth), and Marc Maron (Sam). The second season really kicks it up a notch, with episodes that highlight racism, sexual harassment, and the struggles of motherhood. Even though GLOW is set in the eighties, it’s still right on time when it comes to showing how not much has changed for women in the entertainment industry.”
Limited Series:
The Assassination of Gianni Versace: American Crime Story (FX)- Nathan Osborne and Kristy Strouse
“With Darren Criss favourite to win the Outstanding Performance in a Limited Series for his role as Andrew Cunanan, let us not forget the strength of the show in which it derived: The Assassination of Gianni Versace – the second series of Ryan Murphy’s American Crime Story anthology – is a terrifically-crafted, compelling exploration of the infamous face whose killing spree, including a bullet to the world-famous fashion designer, captivated the world in the 90s.
With additional depth than your typical Murphy fare – while not forgetting the visually-meticulous sheen and outstanding production and art department designs that impressively details the opulent community in which the spree unfolded within – Assassination spins an extensive web of corruption, identity and abuse while managing to successfully infuse a surprising amount of lightness and humour that allows the darker moments to hit all the harder. Tom Rob Smith’s writing is layered and complex, as emotional and heartfelt as it is intense and violent, and while it’s unlikely to be the most accurate version of events, it is a bold and attentive piece take that provokes and evokes as it entertains. The Assassination of Gianni Versace is one of the finest miniseries in a year where the form has thrived, and easily one of the best pieces Murphy has released for some time.” -Nathan Osborne
“The limited series, The Assassination of Gianni Versace: American Crime Story, was about a subject I didn’t know much about, which actually made the viewing even more intoxicating. Darren Criss was incredible as Andrew Cunanan, he portrayed the killer with a surgical skill. Ryan Murphy does an exquisite job on this eight episode, tension filled dive, into the titular event and the before/after. There’s no question this should get the Emmy.”- Kristy Strouse
Who do you think should win best series? Let us know in the comments below!
The Emmys is broadcast tonight, September 17th 2018, on NBC.
Does content like this matter to you?
Become a Member and support film journalism. Unlock access to all of Film Inquiry`s great articles. Join a community of like-minded readers who are passionate about cinema - get access to our private members Network, give back to independent filmmakers, and more.