So Grosse | Such Pointe | Much Blank #25: M007 – Composer’s Choice (’64)
Blake I. Collier hails from the flatlands of the Texas…
Film Inquiry presents So Grosse, Such Pointe, Much Blank, a new podcast obsessively devoted to contextualizing and celebrating Grosse Pointe Blank(1997). Each week, join hosts Blake I. Collier and Joe George for a deep dive into the discographies and filmographies of all the cast, crew, and musicians featured in the film as well as a minute-by-minute analysis and interviews with first-time viewers, critics, cast & crew, etc.!
In this episode, your hosts, Blake and Joe, actually stay on topic for once and talk about Johnny Nash’ 1964 album, Composer’s Choice. We dive into the perfect mixture of instrumentation and raw Nash vocals, how this version of jazz differs from his past attempts, and we speculate on what this album meant for Nash considering this would be the last of his teen idol/crooner albums. Join us for a good time and remember that this podcast is us…breathing.
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Blake I. Collier hails from the flatlands of the Texas Panhandle, but currently resides in Tulsa, Oklahoma with his wife and son. He draws lines (and the occasional circle) for his day job. He has written for various websites mostly about horror and film, but occasionally about the other various facets of existence. He is co-host of So Grosse Such Pointe Much Blank, a podcast focusing specifically on the 1997 film, Grosse Pointe Blank. He, also, has a chapter on QAnon and the 2008 film, Martyrs, in Toxic Cultures: A Companion from Peter Lang Publishing. You can reach him at [email protected].