LOST BAYOU: A Hauntingly Beautiful Southern Gothic Experience
Amanda Mazzillo is a writer with an MFA in Dramatic…
Lost Bayou, directed by Brian C. Miller Richard and written by Nick Lavin and Hunter Burke, follows Gal (Teri Wyble) as she reconnects with her father (Dane Rhodes) on his houseboat after he calls her about the death of her mother, which comes as a surprise to Gal, as her mother died three years previously.
An Authentic and Captivating Atmosphere
Lost Bayou strives in its depiction of the bayou and its people, by filling every frame with visuals which showcase the hauntingly beautiful nature of the bayou’s swampy embrace. This film delves into ideas of resurrection, through the faith healer occupation of Gal’s father, and the nature of resurrecting broken bonds through reconnecting.
There wasn’t a single moment in this film that did not feel genuine. Focusing on the emotional impacts of resurrection and being a faith healer rather than on the usually discussed questions on whether it’s a scam or not gives Lost Bayou a heart and an emotional impact that wouldn’t come if the film was not as true to life as it is. The magical elements of the film’s story comes through subtly and never feels abrupt and out-of-place.
The sound and visuals work together with the emotional heart of the film to perfectly capture the beautiful, yet distant world of the bayou. Lost Bayou captures its setting through both its natural sounds of the environment as well as with its perfectly fitting music.
Organic Performances Convey the World of the Bayou Naturally and Beautifully
Teri Wyble and Dane Rhodes shine in their central performances. They work wonderfully together in conveying the distance between father and daughter, which is central to the journeys of each character. Their performances drew me into the film and I remained captivated through every scene. With so few other characters, Wyble and Rhodes gave strong and lasting performances against each other throughout the film.
Lost Bayou has moments where Gal and her father, Pop, barely speak, yet you know exactly what both characters feel, and that works to make this film with such a small cast into a wonderfully engaging experience.
From the first scene, Wyble’s performance captivated me, and I wanted to know more about Gal. I wanted to see her journey away from her ex-husband and his new wife. This first moment shows Gal at her lowest, showing up a day late and possibly high and drunk to her son’s birthday party. We know her struggles with addiction and her desire to bring her family together from this one moment, and Wyble plays this so beautifully.
A Pace Which Fits the Flow of the Bayou
Lost Bayou felt paced perfectly for its languid journey through the bayou. The emotional beats are so strong, and they beautifully push forward the plot, so nothing ever feels forced. The pace is not fast, but it fits the film perfectly and captures the feeling and atmosphere of the swampy backwoods that make the bayou.
As the film moves forward, I felt like I was on the journey with these characters, from boat ride to emotional discovery. The distance created from the location of a houseboat in the bayou brings a level of tension to the story, which helps the pace fit right in tune with the natures of the swampy waters.
As I watched Lost Bayou, I felt transported to the bayou through its engaging story and memorable characters. The film captures the environment and tone of this unique area of the world in such a beautiful and captivating way.
The pacing perfectly matched the film and worked to navigate the audience along on the journey through the Louisiana bayou with Gal and her father. I felt pulled along for the ride in a wonderful, ethereal way.
Lost Bayou: Conclusion
Lost Bayou captures the personality and unique features of the bayou through its engaging story, well-developed characters, and beautiful visuals. Teri Wyble and Dane Rhodes’s performances give haunting life to the atmosphere of this beautiful film. Lost Bayou is paced perfectly for the nature of its inspiration, which works to create an engaging and natural look into the world of the bayou.
Are you interested in seeing the bayou depicted on film? If you have seen Lost Bayou, did you enjoy the film? Please share your thoughts in the comments!
Lost Bayou premieres at SCAD Savannah Film Festival on October 29th, 2019. For tickets, go here, for more information, here.
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Amanda Mazzillo is a writer with an MFA in Dramatic Writing from SCAD and a BA in Writing & Linguistics and Film Studies minor from Georgia Southern University. She enjoys writing comedy and exploring all forms of media. Her Twitter name is a bad pun: @mazzillofirefox