Watchmen is a bit of a weird one right now. Looking back on these episodes it seems rather confusing, because that’s just how it is.
Watchmen is looking to be a thrilling and satisfying continuation of the world that changed the world 30 years ago.
On Becoming a God in Central Florida reminds us that even though money is one of the most fundamental things in this life, it can also be a very venomous dagger that distorts your worldview.
By this episode’s completion, we now know everyone is on the hunt for revenge and a bloodbath. Who will be victorious in the great clash of 1989? Only one way to find out.
Although Helen Mirren’s performance as Catherine the Great is good, the miniseries itself was a chore to finish despite weighing in at only four hours.
Succession not just succeeds at expanding the strong foundation that the first season built, it also keeps escalating the stakes, tensions and hilarity.
Mirroring the problematic characters it depicts, Big Mouth is a bit of a disjointed mess, hilarious at times and problematic at others.
Living with Yourself is as much as about the actual character living with another version of himself as much as it is about our own acceptance of the lives we live.
With the second half of the season left to still air, and the follow-up episode giving attention to the survivors, AHS 1984 seems primed for a sequel.
Raising Dion enlivens the superhero genre by offering a fresh tone and concept, and it also has some subtle messages that resonate with personal growth and sociopolitical challenges still being faced today.
Arrow has kicked off its final season with a mostly entertaining and emotionally engaging episode.
As a true crime miniseries, Unbelievable does well in telling the womens’ side of things, depicting their trauma, and how they are forced to relive the horrific events over and over.
As we approach the midseason, body count rising and with no escape, “True Killers” was proof that AHS 1984 is far from slowing down.
Season 5 of Peaky Blinders brings as many twists and turns as the previous seasons – and it just keeps getting better and better.
Bree Duwyn covers the second half of the first season of Carnival Row, in which the show’s writing increased in quality.