Harley Quinn is both entertaining, insightful and inspiring, and opens doors to great possibilities for DC Comics animation.
Stakes are suddenly higher than they’ve ever been, in Homeland’s latest outing: “Chalk One Up”.
While Narcos: Mexico is a slightly different beast to its predecessor, it stays close to its roots, providing an incredibly stylish and engaging story with plenty of flair.
High Fidelity gives a whole lot of new meaning to Hornby’s novel while also honoring it at the same time.
A storyteller’s greatest responsibility is societal critique, and The Wire is a prime example of how to fulfill that role.
In an episode that somehow pulls at the reigns while simultaneously cracking the whip, Homeland viewers are pulled back and forth between compelling choices and questionable ones.
While “Stardust City Rag” attempts to elevate the series, the whole episode feels tired, limp, and lacking in any coherent vision.
Last week, Holly Gibney (Cynthia Erivo) was in jeopardy, Ralph (Ben Mendelsohn) was really trying…
In its second episode, Zoey’s Extraordinary Playlist shows no signs of slowing down and continues to not only entertain, but firmly pull at the heartstrings as well.
This episode of Homeland leaves us wondering if perhaps, the show may finally be coming to understand the responsibility in commenting on volatile real-world situations.
“Absolute Candor” is the first properly disappointing episode that finds Picard treading water and lacking any discernible direction.
With only three episodes left in HBO’s slow-burn mystery-horror series, anything can happen at this point.
While it could have taken more risks, season one of Locke & Key gives us a feasible starting point for what could be a flourishing new fantasy series.
Episode 6 of The Outsider is a step in the right direction, the intoxicating dread and craft continue to permeate the show’s structure.
As has happened multiple times throughout Homeland’s season openers, we’re presented with what may be a bait and switch.