Year of the Rabbit thrives in its beautiful blending of cinematography, music, and script that all come together to create an experience you do not want to miss.
Ju-On: Origins may not reinvent the formula of the franchise, it still has enough stuff to give the audience a terrifying nightmare.
As Clay and his friends say good by to Liberty High, so too do we to the relevancy and unrelenting focus of a series unafraid to look away.
The performances, writing, direction, and overall energy remain superb, further showing a series that is as confident as it is bold.
As an ending to the first batch of the season, the episode gives us exactly what we want: explosive anticipation of Bobby and Mike’s war.
Betty is a perfect summer binge that will empower you to go pick up a skateboard and skate your way to the city with a group of friends.
Quiz may not be historically accurate, but by maintaining its ambiguity, Quiz manages to achieve something bigger.
While it attempts to be timely and relevant, throwing jabs at a questionable leader, it leans on cheap humor and shallow narrative constructions.
One of the biggest joys in watching Billions is witnessing the rivalry between Bobby Axelrod…
The absence of parental guidance through the strategic use of antithesis allows Extracurricular to hold its characters accountable for their mistakes.
Dear… gives viewers a visual and auditory display of the power instilled in others when they know they are not alone.
On paper, HBO’s newest comedy Run looks like the perfect romance fantasy. But in the end, Run feels more like a failed attempt.
Much like the previous four episodes, “Contract” is an episode full of thrills, fun, and phenomenal performances.
While there are some joys to be found throughout the season finale, every answer to the season’s overarching narrative doesn’t feel satisfying.
Jaida’s win feels like a huge win for all of us after a rather vociferous season of RuPaul’s Drag Race taht was weighed down by Sherry Pie, COVID-19, and that insane facekini RuPaul wore.