For Season 5, Last Chance U goes to the city of Oakland where history, culture, and economics clash on and off the football field.
Hoops should have been better. The new Netflix original instead becomes one vulgar joke after another, becoming less funny as time wears on.
Stargirl brings new, optimistic light to a genre so frequently centered around fight scenes where everyone is off by themselves.
Lovecraft Country is a knockout of a show, and one that is epic, terrifying, and relevant altogether.
In all its easygoing, light entertainment, Whose Line is ideal quarantine comfort food.
Royalties is a funny parody of the music industry that affectionately brings forward the lives and difficulties of songwriters with stellar performances.
Stateless sadly ends up robbing itself of an opportunity to be a show that is truly remarkable and also important.
While not a solid addition to the mystical stories of old, Cursed will keep viewers entertained while introducing a new generation to the stories of old.
We spoke with director Zetna Fuentes about Netflix’s latest series Cursed, the retelling of a classic legend through the female perspective.
Life is Easy stands apart in the comedy landscape because every important issue is handled with respect, while finding comedy that never demeans.
Based on Bong Joon-Ho’s masterful film, the TV adaptation of Snowpiercer starts slow but builds to a fascinating finale.
Hulu’s Normal People doesn’t just transform sorrow into an affecting narrative; it creates beauty out of it.
Combined with Cianfrance’s ‘addiction’ to this story and the intimacy of the acting, I Know This Much Is True creates a palatable amount of realism.
Dark demands patience and provoked tempting reflection on fate, it’s final season feeling organic and giving the send-off it deserves.
Year of the Rabbit thrives in its beautiful blending of cinematography, music, and script that all come together to create an experience you do not want to miss.