Carmentis never runs out of ways to use the subversive potential of the sci-fi genre to articulate the loneliness and disorientation that haunt the film’s main character.
The objective of Luca Guadagnino’s experimental short The Staggering Girl is up for debate, which won’t be a problem for long-time admirers of the auteur’s style or share the same inherent love for high fashion.
Stephanie Archer reviews two short films that were supposed to have its premiere at SXSW 2020: Run On, directed by Daniel Newell Kaufman and The Shawl, directed by Sarah Kiener.
From the streets of Belgium to the desert of Tunisia, from an orphanage in Guatemala to an apartment in Brooklyn, this year’s Oscar-nominated live action short films manage to take the viewer on a trip around the world in less than two hours.