Film Reviews
Michael Chang was a pioneer among Asian Americans in professional sports, and he did it at such a young age.
She Came Back is a well-crafted horror film that leverages powerhouse performances and exceptional storytelling to create a memorable experience.
Trap is a movie seemingly gift-wrapped for greatness that eventually crumbles under its own logic.
Based on Ernie Pyle’s WWII dispatches and directed by William A. Wellman, The Story of G.I Joe, is a testament to the foot soldier.
The Instigators evokes the Boston movies of yore like a Dunkin’ drinkin’ Ghost of Christmas Past.
From this year’s New York Asian Film Festival we take a look at Pattaya Heat, Twilight of the Warriors: Walled In & Brush of the God!
While Twisters is pretty much exactly what you’d expect, it will warmly invite you into its merry world of meteorologists and storm chasers.
Witches may not be the most talked about film at this year’s festival, but it is certainly the most vital.
Forty-five years after Alien, cat people finally have a new horror movie with Michael Sarnoski’s “A Quiet Place: Day One.”
Part boxing movie, part familial drama, Bang Bang is further proof of Vincent Grashaw’s directorial expertise and a showcase for Tim Blake Nelson’s talent.
Viva is told by an indie woman director whose mise-en-scene and script pay tribute to classic musicals.
Overall, Longlegs is well-directed, artistically apt, and really, really suspenseful.
Sisi & I is a worthwhile look at her life through the eyes of another, even as it suffers from comparisons to similar work.
Despite its flaws, Six in Paris should fascinate fans of the French New Wave—or, really, fans of anything French at all.
Devery Jacobs and Evan Rachel Wood star in the queer cheer drama “Backspot,” executive-produced by Elliot Page.