While it doesn’t always tie its themes together, Ashgrove still manages to dig behind the veneer of its story and ask a compelling question.
In the end, more of a thriller than a deep thought piece, Asking for It will leave you asking for more
A beautiful film that reminds us that the personal is always political, Great Freedom will fill your heart even as it breaks it.
If you can go along with all its winking and ribbing of rock culture, there’s enough self-deprecating, decapitating humor for a bloody fun meta-horror.
This animated short addresses the ridiculous entitlement of people who believe that Native culture is a fad for them to consume.
With a tightly paced narrative and engaging characters, Huda’s Salon has more than just thrills to deliver.
Unnecessary and poorly planned out, Texas Chainsaw Massacre is a sequel easily dismissed, the power of what made the original clearly forgotten.
Andrea Arnold’s poignant documentary Cow is doused in transparency and truth – the hardest pill to swallow.
A crazy, colorful film, Strawberry Mansion is worth a visit, even if at some points it seems on the verge of collapsing around you.
Even watering down some rather interesting character dynamics, Sing 2 adds more of everything, the good and the bad.
With Seobok: Project Clone, it’s all too easy to be emotionally invested in their journey together, even in such an altogether generic film.
We are Living Things crafts something beautiful, even when it’s hard to adjust to.
The Long Walk is a rich, complex tapestry of a film, woven together with elements of horror and science-fiction.
Death on the Nile is certainly better than his recent films, but it relies too heavily on its director/actor being enamored with his own material.
While not the most groundbreaking or inspiring film, it’s still a masterful piece of early Truffaut filmmaking and storytelling and a revered classic.