Film Reviews
Vital, raw and vulnerable, Nadine Crocker’s Continue is a bit of catharsis you didn’t know you needed.
Graham Moore’s “The Outfit” relies heavily on a charming performance by Mark Rylance but can’t tie together its many loose threads.
Topside makes its points enough beforehand to deliver a disorienting and visually challenging portrayal of abandonment and desperation in New York City.
Even if you don’t remember Greece’s triumph at Euro 2004, you’re guaranteed to be moved by King Otto.
While the focus and ingenuity lessen as the underdog formula takes priority, the talented cast and their chemistry vitalize the absurdity.
A harrowing true story is rendered inert by the light touch on its most interesting aspects in The Infinite Storm.
The early Sundance praise is real. Fire of Love oozes passion and love from start to finish.
The Sacred Spirit hooks you with its moody, deceptively elusive presentation brilliantly structured with a tactful eye for detail.
My First Native American Boyfriend is a chance to provide Native audiences a form of catharsis, a chance to have their real-world experiences represented.
Stringing together multiple sources and influences, it is a spellbinding dance between Kashmir’s folkloric past and its tumultuous present.
In the latest report from SXSW 2022, Kevin L. Lee reviews two supernatural features: Jethica and The Cellar!
Belfast is a film that will creep into the recesses of your mind, its upbeat music and deeply rooted examination of family and the journey unforgettable.
Superior is not without its flaws, and it wears its influences on its sleeve almost to a fault, but it’s still a worthwhile watch.
I Love My Dad is saddled with a competent, well-intentioned film that works better when being discussed than being watched.
The best thing about Adrian Lyne’s Deep Water is that it possesses star power in Ben Affleck and Ana de Armas, two of our hottest actors.