VIRGIN STRIPPED BARE BY HER BACHELORS: Revisiting Hong Sang-soo’s Third Feature
VIRGIN STRIPPED BARE BY HER BACHELORS: Revisiting Hong Sang-soo’s Third Feature

Hong Sang-soo’s third feature, “Virgin Stripped Bare by Her Bachelors,” was also his last film to be made from a full script.

Tribeca Film Festival 2022: SOMEWHERE IN QUEENS
Tribeca Film Festival 2022: SOMEWHERE IN QUEENS

Ray Ramano makes his directorial debut with Somewhere In Queens, a comedy-drama about an Italian-American family.

Dances With Wolves Film Festival 2022: GOODBYE, PETRUSKA
Dances with Films Festival 2022: GOODBYE, PETRUSHKA

Goodbye, Petruska navigates the turbulent experience of challenging reality with ambition to deliver something one can be truly proud of.

Tribeca Film Festival 2022: BLAZE
Tribeca Film Festival 2022: BLAZE

Del Kathryn Barton’s Blaze brings intense drama to the 2022 Tribeca Film Festival, as a young girl named Blaze deals with immense trauma.

JURASSIC WORLD DOMINION: Is More Teeth Enough?
JURASSIC WORLD DOMINION: Is More Teeth Enough?

The final installment of the World trilogy, Jurassic Park Dominion breaks through with more dinosaurs and a mixed bag for audiences.

The Bad Guys: An Animated Heist With Style
The Bad Guys: An Animated Heist With Style

The Bad Guys is a good time for its slick style, solid characters, and stealing from the best heist films.

POSER: When Admiration Becomes Obsession
POSER: When Admiration Becomes Obsession

With two fascinating lead performances, wonderful music, and Logan Floyd’s hypnotic cinematography, there’s a lot about Poser that is worth checking out.

CRIMES OF THE FUTURE: The Beautiful & Revolting Human Form
CRIMES OF THE FUTURE: The Beautiful & Revolting Human Form

In Crimes of the Future, the horrors and beauty of the human anatomy, both inside and out, are a work of grotesque art and performance.

KEEPING COMPANY: Are You A Shark?
KEEPING COMPANY: Are You A Shark?

Keeping Company weaves a critical look at society, greed-fueled power and consequence of capitalism while crafting a film that delivers humor and horror.

MIRACLE: Losing My Religion
MIRACLE: Losing My Religion

A thought-provoking exploration of morality and mortality divided neatly into two parts, Miracle isn’t clear-cut or easy to comprehend, but it is compelling.

Cannes Film Festival 2022: Alice Winocour’s PARIS MEMORIES is a Mature Study of Violence and Healing
Cannes Film Festival 2022: Alice Winocour’s PARIS MEMORIES is a Mature Study of Violence and Healing

Paris Memories was the final film I saw at the fest and in its quiet, assured way, was one of the most satisfying.

THE BOB'S BURGERS MOVIE: The TV-to-Movie Pipeline Done Right
THE BOB’S BURGERS MOVIE: The TV-to-Movie Pipeline Done Right

The Bob’s Burgers Movie plays well for both fans who want more of the show’s antics and new viewers who are looking to get acquainted with the characters.

GAGARINE: Home is Where The Space Station Is
GAGARINE: Home is Where The Space Station Is

Charming and sympathetic portrayals by Alséni Bathily and Lyna Khoudri make Gagarine feel warmly satisfying and make it a peculiar French indie.

PLEASURE: The Pain of It All
PLEASURE: The Pain of It All

Once you remove the explicit content, there’s not that much about Pleasure that is truly revolutionary, or even rebellious.

Cannes 2022: EL AGUA: A Beguiling Mystery in Rural Spain
Cannes Film Festival 2022: EL AGUA: A Beguiling Mystery In Rural Spain

Elena López Riera’s El Agua is a slow, seductive, and assured tale of young love and mysticism in an exquisitely rendered Spanish village.