Film Reviews
The musical performances in Elvis will obviously be a major draw but the stellar performances make it all the more intoxicating.
“Long Live My Happy Head,” a new Scottish documentary directed by Austen McCowan and Will Hewitt, depicts Gordon Shaw’s art, life, and battle with cancer.
From the 2022 Sydney Film Festival, Alex Lines covers Jean Luc Herbulot’s Saloum and Emin Alper’s Burning Days.
One of my favorite times of the year is coming to a close. While I…
Spanning the release of her film Hustlers to her Superbowl Halftime performance, Amanda Micheli’s Halftime documents Jennifer Lopez.
With her second report, Kristy Strouse covers Cherry and Next Exit!
Acid Test has its moments of realistic, memorable coming-of-age storytelling even if the film’s stories don’t always blend.
Fear and paranoia are the perfect catalysts for mass panic in Natalia Sinelnikova’s We Might As Well Be Dead.
Lightyear may not offer the same emotional depth or richness as other Pixar titles, but it knows it never needed to be that.
Despite its humorous undertones, Christos Nikou’s Apples can’t overcome a frustratingly muted and opaque style.
In Sophie Hyde’s Good Luck To You, Leo Grande, the stigma surrounding sexuality and age are examined and pushed.
Irene Taylor’s documentary Leave No Trace looks at the dark side of the Boy Scouts of America, which allowed the abuse of countless boys.
Cynthia Lowen’s Battleground dives into the realities of an America at war with women’s reproductive rights.
In her first report from Tribeca Film Festival 2022, Kristy Strouse reviews Family Dinner, Huesera & A Wounded Fawn!
At the 2022 Tribeca Film Festival, Patrick Bresnan and Ivete Lucas’ Naked Gardens delves into a secluded nudist colony in Florida.