There’s a lot to take away from Hallelujah: Leonard Cohen, A Journey, A Song, including, most importantly, a better understanding of the artist himself.
While it crafts compelling images, She Will doesn’t do enough to stand out from other recent films to use psychological horror to tell a tale of #MeToo.
Murina combines the sinister tension of noir with the emotional agony of coming of age to tell the story of one young woman’s attempts to escape the future laid out for her.
Mad God bursts and spews onto the scene in absolutely take-no-prisoners fashion and has steadily placed itself close to the top of the pile as one of the best movies of 2022.
Despite solid source material in George Saunders’ short story, Spiderhead is a visually inert misfire and one of director Joseph Kosinsky’s lesser works.
Combining found footage, family photographs, and Karim Ainouz’s own camerawork, Mariner of the Mountains is a brilliant mix of family history and origins.
The coming-of-age tale presented by Cocoon is not an idealized one that bears no resemblance to real life, but one that feels authentic in its pain and exhilaration.