Film Reviews
Full Time is a panic-fuelled portrait of human resilience that’s crafted with both urgency and grace, examining the self-sacrificial nature of parenting.
John Mathis’ Where’s Rose is more concerned about real-life horrors than it is with fantastical ones, and it is all the better for it.
A performance-driven movie packed with quietly devastating moments, Resurrection should not be overlooked among the great horror films of this year.
The worlds of animation and live-action collide in the eclectic tapestries of Chloé Mazlo’s Skies of Lebanon.
Like in social media, everything in Not Okay is a hollow passing glance as the movie keeps scrolling and clicking along.
Lee Jutton is back with her last report from this year’s New York Asian Film Festival!
In 1995, Devil in a Blue Dress didn’t receive the recognition it deserved. Despite positive…
Flux Gourmet is a movie wholly dependent on making sound editing and cinematography do all the work and they can’t quite get there.
The Day the Music Died: The Story of Don McLean’s American Pie goes into the mythology around the song that runs deep and wide, resonating with so many.
Based on “The Dreams in the Witch House”, Bobby Easley’s 2021 H.P. Lovecraft’s Witch House aims high as it tackles the supernatural.
At its core, Where the Crawdads Sing is an examination of abandonment and loneliness, as well as survival within the unrelenting naturalist circle of life.
The NYAFF is always a great chance to check out some extraordinary films that might not otherwise screen widely in this country.
The Princess is a bloody, action-packed adventure, that while entertaining, lacks the depth it had originally promised its viewers.
Even with this rushed ending and various bumps in the road, Persuasion proves itself a modest adaptation that, while not the best, is sure to entertain.
By time-traveling Beavis and Butthead to the future, it forces the cultures of past and present to have to confront each other’s stubbornness.