Film Reviews
Missing retains the feeling of a J-horror, slowly building the intensity of its mystery while examining the potential compassion and deliverance of death.
In her second report from TIFF Kristy Strouse reviews Susie Searches, The Blue Caftan and Subtraction!
The Woman King is a powerful tale of sisterhood and freedom; freedom from patriarchal influences, freedom from slavery.
While The Other Side of Things succeeds as a love letter to the American Dream, it does not succeed as a film, feeling more like an advertisement.
While Student Body might not scare the average horror fan, it’s a good reminder of the untapped potential of how much sheer terror mascots can contain.
With a lack of dramatization in the story, Empire of Light only has its fantastic performances and technical components to keep it afloat.
Major studio productions often use TIFF as a launching pad for large theatrical releases, and this year is no exception with The Menu and Bros.
Though it falls into some psychological thriller tropes, Baby Ruby gets its message across thanks to a phenomenal performance by Noémie Merlant.
In this report from the 2022 Toronto Film Festival, we look at two movies featuring some of the most intriguing lead actors working in the industry today.
Byh The Wonder and My Policeman playing at the Toronto International Film Festival could not be any more different.
Few movies at this year’s Toronto International Film Festival seemed to elicit as much division among viewers as The Whale. T
Do Revenge was a pleasant surprise, entertaining from start to finish.
In her first report Kristy Strouse reviews Fixation, Aristotle & Dante Discover the Secrets of the Universe and Patrick and the Whale!
While both Causeway and Aftersun are first time features by a promising young filmmaker steeped in examining our past sorrows, both do so in different ways.