Film Reviews
In our latest report from the 2022 Toronto International Film Festival, Faisal Al-Jadir reviews Venus, Sisu and Viking!
The first 90 minutes of David Gordon Green’s Halloween Ends easily outweigh most of the films that have come before it.
In our latest report from the 2022 Heartland International Film Festival, Emily Wheeler reviews Dear Zoe, Corsage, Close and Me Little Me!
Featuring incredible performances all-around, and some of the best writing you’re going to see this year, The Banshees of Inisherin not one to miss.
In our last report from the 2022 Heartland International Film Festival, Emily Wheeler reviews four more films!
With a frightfully fun cast, a tight script, and a thematically relevant approach to its violence, Bodies Bodies Bodies is great slasher fun.
The online Femme Filmmakers Festival 2022, run by Filmotomy, drew to a close this October, concluding its seventh year.
While it might lose its way at times, ultimately, The Whale is a fascinating story anchored by an incredible performance from Brendan Fraser.
Slayers is an entertaining enough horror comedy with some standout performances, but the film’s satire and themes lose some of its charm.
On some level, it feels like a cinematic equivalent of the anti-establishment political cartoons that were once so pervasive in cultural discourse.
Hinterland’s high concept is let down by a weak script that doesn’t make the most of the film’s intriguing setting and talented cast.
All the Beauty and the Bloodshed is one of the most moving and vulnerable documentaries I have had the opportunity to see.
The London Film Festival rolls on. Our latest review round-up covers stories of real life…
It speaks volumes when a filmmaker can reach its audience, inspiring them to speak out more, and Is That Black Enough For You?!? does just that.
This dispatch features two great films involving passionate love affairs — but, apart from that, they could not be more radically different.