Film Reviews
The Killing Tree had the potential to be an over-the-top Holiday horror classic, but the practical effects moments are overshadowed by bad CGI.
The Silencing is an American thriller film from 2020 from Belgian director Robin Pront and starring Nikolaj Coster-Waldau.
Something in the Dirt is proof that massive amounts of ingenuity and invention can still be found in the movies…that is, if one knows where to look.
For the last few decades, Dansereau has been toting Dream Life around to women’s studies classes in order for it to be seen.
If all you want to do is go back in time and see these bands performing when they were at the peak of their powers, then Meet Me in the Bathroom certainly gets the job done.
An impeccably crafted puzzle box of a film, Decision to Leave cements Park Chan-wook’s place in cinema as our modern master of suspense.
Despite the prestige of those involved in the project, Hilma is far too ordinary a film to do justice to such an extraordinary subject.
The Banshees of Inisherin is one of Martin McDonagh’s greatest and most assured efforts as a filmmaker yet.
Utama is a powerful, intimate work, and Grisi achieves a rare balancing act.
Little Odessa is not only a sobering look at a first generation Brooklyn family, but is also the best gangster film you’ve never heard of.
Hulu’s Grimcutty is a creepypasta made tangible, a horror tale with much more going on than your standard monster movie or slasher.
Hocus Pocus 2 is like pulling out that year-old candy from last Halloween and being mildly surprised it doesn’t taste that bad.
Amusing humor and a very entertaining performance from The Rock consolidate Black Adam as one of the strongest DCEU outings.
Lee Jutton is back with two more films from this year’s New York Film Festival, with reviews of The Novelist’s Film and Walk Up!
While Terrifier 2 lacks some of the tension of the original, this long, surreal sequel makes up for it with scene after scene of showstopping gore.