Film Reviews
Légua is a feature with various artistic virtues and moments of stunning visual prowess and a strong tendency toward mood and atmosphere.
Omen is an undeniably beautiful film that is a prime showcase for Baloji’s talents as a visual storyteller.
L’abbe Pierre stuns with incredible, reflective artistry, designing a an exquisite stage Benjamin Lavernhe dominates from start to finish.
Being Mary Tyler Moore not only is it full of personal remembrances, but it also her career that was so intimately intertwined with the rise of television.
Jonathan Glazer has made a film like no other with The Zone of Interest, one that festers in the mind like a disease.
The Wrath of Becky still aims and hits the mark for a playful but brutal massacre.
With its gorgeous cinematography and an incredible performance from Mouna Hawa, Inshallah A Boy proves that freedom is in the fight.
Claude Schmitz’s The Other Laurens may not be the most intense thriller at times, its slow-burn mystery will prove itself alluring and transfixing.
While the lack of resolution is disappointing for the audience it doesn’t make The Night of the 12th any less powerful.
Breaking Infinity is an engaging, time-travel mystery that drops the viewer into the plot and keeps the intrigue flowing.
Twilight is remarkable, and it’s a movie that is at once empathetic and compassionate and also cynical about the limits of justice.
Dazzling and wondrous, The Little Mermaid makes a solid transition to become a part of Disney’s live-action world of remakes.
There are many reads you could take from Vincent Must Die and how its theme speaks to you will be your own experience.
Despite well choreographed action and a gritty performance from Jennifer Lopez, The Mother is not the Mother’s Day vehicle Netflix had hoped it would be.
Marco Porsia excavates something special with the subject of his latest rock inspired documentary, What You Could Not Visualize.