Film Reviews
The End of Sex blends sex comedy with a more traditional romcom, which sometimes works but the humor doesn’t always land.
Bad Things struggles with its interactions, yet excels in its horror.
From anger to frustration to tears, Take Care of Maya delivers a deeply affecting look at the breakdown of a family when another says its broken.
Donnie Yen might not be King Hu behind the camera, but he’s still a joy to watch in front of it — even in a weaker wuxia like Sakra.
With Catching Dust, Stuart Gatt crafts a narrative tale around the explosive power of human emotion.
The spell Playland casts over its subject matter, an act of poetic reanimation, carries over to its viewers.
This is Not Financial Advice achieves its overall goal, without explicitly telling audiences the right or wrong way to embark on the financial market.
Against All Enemies is surprising in the emotions its garners from its audience, always resolute to is overall message, but unafraid to listen.
Rule of Two Walls is one of the most vital and poignant documentaries of the 2023 Tribeca Film Festival.
The Black Demon is so bad that it actually ends up being great.
With a little more money and care this could have been something special, but as it is The Secret Kingdom is a disappointment.
Padre Pio leans into its politics and historical fealty; the spiritual aspects are heady, abstract, and dense.
A timeless coming-of-age tale told beautifully by Marcello and his collaborators, Scarlet is a cinematic treat for the eyes, the ears, and the heart.
Unidentified Objects is a fantastic love letter to road films.
Delphine Deloget’s social-realist French drama, “All to Play For,” also known as “Nothing to Lose,” premiered at Cannes in 2023.