Film Reviews
Prey offers an excellent example of less being more, especially in a series long known for its over-the-top dialogue and gory violence.
Sweet if innocuous entertainment, Love in Taipei is pleasant but predictable.
If you liked Jaws 2 (or Sharknado 2, Deep Blue Sea 2, Open Water 2, Ouija Shark 2, etc. etc), this bad Shark Sequel has everything you need.
The Mire was a fantastic, tense ride that doesn’t rely on action set-pieces or flashy effects to draw your attention.
Few filmmakers can say they’ve made a movie as fun, free, and ultimately bittersweet as Tokyo Pop.
Mutant Mayhem gives the Ninja Turtles a fresh coat of paint as a welcoming revision with unique animation and compelling characters.
Past Lives is the epitome of contemplative, meditative cinema. It’s perplexing, but in the way I like my movies to be.
Lofty in ambition yet flawed in realization, LOLA is nonetheless an intriguing cautionary tale experiment in lo-fi science-fiction.
John Frankenheimer’s forgotten 1979 B-movie “Prophecy” cashed in on the “Jaws” trend with an awesome man-versus-killer bear adventure.
A quiet, poignant, and moving documentary, The Deepest Breath is unforgettable.
The Venture Bros. has always felt cinematic with its big sequences and Radiant Is the Blood of the Baboon’s Heart ups the ante.
Perfectly Good Moment is a difficult-to-watch and captivating thriller.
For better or for worse, Haunted Mansion makes for a fun spooky night on Disney+ for the family.
The narrative of Oppenheimer’s life certainly holds more than ample fascination for even a film with a three-hour runtime.
A snapshot of small-town ennui with a hefty splash of neon-tinted noir, Streetwise has an intoxicating atmosphere.