Film Reviews
With the second report from TIFF we are brought three wildly different films, and a TV series, all bold in their individual ways.
While Perfect Days is minimalistic and quiet, almost to a fault, Les Indésirables is a bombastic cinematic experience.
Love At First Sight does retain a predictable nature, but by the film’s end, you will want the predictability.
In our latest from the 2023 Toronto International Film Festival, Kristy Strouse reviews Irena’s Vow, Days of Happiness and Holiday!
For the 2023 Toronto International Film Festival, Wilson Kong reviews Craig Gillespie’s Dumb Money and Margreth Olin’s Songs of Earth.
The Royal Hotel is at times a tense and engaging thriller with poignant performances, but sometimes its message feels muddled.
Helgeland writes and directs Finestkind with all the right intentions, but it ultimately feels shallow.
What better way to infuse a rom-com than with the unconditional and irresistible love of dogs? That’s what Puppy Love seeks to do.
Both P.P. Rider and Typhoon Club showcase many aspects of Somai’s signature style, Lee Jutton takes a look at both.
There’s a lot of hard work under the hood of Gran Turismo that narrowly crosses the finish line of a compelling racing film.
Film at Lincoln Center and Subway Cinema are showcasing 24 films, a retrospective of Korean Cinema’s Golden Decade: The 1960s.
If you like horror or mystery or just like to be kept guessing, then this is a movie that you’re going to need to see.
At this year’s Melbourne International Film Festival, Sean Fallon reviews Hello Dankness, Biosphere and Art Talent Show!
The short film selection at Melbourne International Film Festival is never less than stellar and this year’s selection didn’t buck the trend.
