Film Reviews
Teen Titans Go! To The Movies will be overlooked by many because of its kid-centric charms, but it delivers laughs in a pretty significant way.
Zoe’s detriment is not necessarily any of its individual parts – it’s that they don’t quite add up to anything more impactful or memorable.
Hot Summer Nights’ story is not adequately interesting to justify the legendary tone, and it winds up feeling anodyne when it should feel explosive.
The Americans is a show that asks you to examine what exactly it is about capitalism that you like, the effect those aspects of it have on other people, and whether your lifestyle is ethical.
Summer of 84 strives in its scenes of tension and horror, but fails in its moments of childhood nostalgia and friendship.
Even with a good hook, How It Ends suffers from lack of vision becoming just a series of scenes that rarely congeals into anything substantial.
Larger Than Life: The Kevyn Aucoin Story is an intimate portrait of a man who sought to expand the definition of beauty through every face he touched.
Castle Rock’s “The Box” left our arm hair raised, and adequately poised for what will likely be a strong second half of the season.
The Miseducation of Cameron Post hits on a topic that is contemporary and significant but it never handles this in a way that feels, for want of a better word, preachy.
Night Comes On is a compelling depiction of loss, America’s system set up to fail people of color and the resilience of the human soul.
The Eyes of Orson Welles is an introspective look at the legendary man; in addition, we were able to talk with Mark Cousins, the director of the film.
There’s certainly fun to be had with this deeply silly slice of R-rated raunchiness, yet The Spy Who Dumped Me struggles to balance its crass brand of humor with shocking bursts of carnage.
With Cold War, Pawlikowski has crafted his most ambitious project yet; a portrait of a tortured relationship starting in late 1940’s Poland, climaxing in the early sixties.
Film Inquiry’s Kristy Strouse got to talk to filmmaker Louisa Fielden about her very timely short film People You May Know.
With complicated and charismatic women at its center, Madeline’s Madeline manages to keep you hooked and never stops being fascinating to watch.