Film Reviews
Dad Jokes leaves us excited for Welch’s future in comedy, and the potential for a new chapter in her comedic journey.
I.S.S. is a serviceable space thriller, one that remains light on ideas but sticks to sturdy tropes.
Apolonia Apolonia manages to paint a fairly engaging portrait of an artist discovering the intimate balance between success and her freedoms as an artist.
While those looking for genuine chills should certainly seek them elsewhere, this movie is batting at a surprisingly high level.
No films better symbolize the livewire energy of this era in Hong Kong filmmaking than those focused on the youth of the region, such as Spacked Out.
The intense, empathetic storytelling of Inshallah A Boy will keep you emotionally invested up until the very last frame.
Household Saints is a strange yet satisfying brew of family drama and spiritual contemplation that deserves the broader audience it has been denied.
Despite Aquaman’s need to make one last cannonball for the DCEU, he only makes a mild splash in a mostly empty pool.
Die Hard is not a film that just occurs during the holiday season, but rather because of it.
“A Confucian Confusion” is quintessentially Yang, a needle-sharp satire of life in a city increasingly in the thrall of capitalism.
“Migration” doesn’t soar to new animated heights, but it knows where to find the best spots worth visiting.
“Godzilla Minus One” is a blockbuster that dials up the heart when others may have invested more time (and money) in shoddy visual effects.
While The Crime is Mine doesn’t reach the lofty heights of the classic comedies that influenced it, it’s all too easy to enjoy such a screwball vision.
The film is both historical and deeply personal in a way that will resonate with those who have been through similar experiences.