Film Reviews
Every time The Breaking Ice seems to be on the brink of shattering, it glides.
With his fourth feature film Love and Work, Pete Ohs has proven himself a master of creating unique screen stories with remarkably little on-screen frills
Float loses much of its authenticity and charm in the lackluster filler and predictability, drowning with no chance of rescue.
While not as predictable as the pattern, Argylle doesn’t have much surprise despite its cast and energy.
The Accident is an Italian dramatic comedy from Giuseppe Garau that’s intimate, engaging, and a bold step into the world of fictional narrative features.
Director Sean Mattison, along with producer Trevor Martin and their team, follows Petro from his campaign’s inception on through the historic election day.
Disco Boy doesn’t quite work, though thanks to some quality craftsmanship and the always-fantastic Franz Rogowski, it does come close.
Kristy Strouse takes on three bold short films, wrapping up this year’s Sundance Film Festival with some horror, some comedy, and some punk rock.
In All I’ve Got and Then Some, Rasheed Stephens brings his own experiences to the big screen to tell a story of passion, dedication, and sacrifice.
A multilayered depiction, Good Grief delivers on what its title promises and audiences will find they are richer in experience for it.
In this report, we’ll look at Little Death, Veni Vidi Vici, and Kidnapping Inc., each from a different part of the world, focusing on a different theme.
With this report of the Sundance Film Festival, I delve into a world of crime, of the dead returning to life, and a true coming-of-age story.
An effective and vitally relevant piece of cinema, Eternal You is both a display of hope and caution that we all need to hear.
With these three documentaries, we can experience wildly different subjects, but take them all with a sense of awe.
Writer-director Rich Peppiatt brings the story of Kneecap, a real-life Irish rap group, to the big screen in a way that The Dirt wishes it did.