Film Reviews
A Woman is a Woman has never looked or sounded better—but Karina’s effervescent charm remains the film’s most valuable asset.
Presence is not a good horror movie. Instead, the film succeeds as a melancholy drama.
From Sundance Film Festival, Jules Caldeira takes a look at Brides, Seeds, and Sugar Babies.
Miller’s Girl came and went like stormy weather, causing plenty of noise, drenching the world…
Aside from having a similar word in its titles, the following two films from Sundance…
Though these two films, “Didn’t Die” and “Rains Over Babel,” are very different stories, they are tied together by ideas of mortality.
These two documentaries take place on opposite ends of the Russian-Ukrainian war. Both are powerful, gripping films that must be viewed in today’s climate.
With Sunfish (& Other Stories on Green Lake), we have a Sundance newcomer in Sierra…
In some respects, both Prime Minister and If I Had Legs I’d Kick You are…
Here’s a look at a Spanish-language fable, a crime comedy, dystopian sci-fi, and a Khmer-language story about a dead woman and her Queer grandson.
This year, I’m kicking off Sundance with one of their short film programs. Here are four films from the Short Film Program 2.
Scuba, the feature debut of writer-director Jacob Vaus, tells the story of two outsiders who find each other just when they need to.
At this year’s Sundance Film Festival, Wilson Kwong takes a look at The Ugly Stepsister and The Dating Game!
In the new comedy Not an Artist, we follow a group of artists taking the ultimate gamble to unlock their true potential, or perhaps lack of it.
Bye Bye Love stands on its own as one of the most vibrant and energetic films of the Japanese New Wave.