Apartment 7A: Subletting A Classic, No Remodeling Allowed
APARTMENT 7A: Subletting A Classic, No Remodeling Allowed

While Apartment 7A far exceeds the 1978 sequel and the 2014 remake of Rosemary’s Baby, it neither lives up to the suspense or the politics of the original.

Azrael: No One Will Save Samara Weaving
Azrael: No One Will Save Samara Weaving

Azrael has buckets of blood, some fun traps, and plenty of intrigue for those willing to overlook these gestures towards deeper meanings more fully.

New York Film Festival 2024: ANORA
New York Film Festival 2024: ANORA

If you somehow need more proof that artificial intelligence cannot rival the humanity needed to create great art, all you need to do is watch Anora.

Charlie Tango: A Turbulent Thriller
CHARLIE TANGO: A Turbulent Thriller

Despite a trepidatious takeoff and a bit of a rocky landing, where Charlie Tango really shines is at its cruising altitude.

TUESDAY: We Need More Original Films Like This
TUESDAY: We Need More Original Films Like This

Tuesday was a beautiful and moving film, if you haven’t seen it, you need to and you need to tell five friends to do the same.

KINDS OF KINDNESS: Three Short Films In A Trench Coat
KINDS OF KINDNESS: Three Short Films In A Trench Coat

Yorgos Lanthimos’ Kinds of Kindness is smart and funny, uncomfortable, moving, and confusing. It is also beautiful.

Toronto International Film Festival 2024: HERETIC, PRESENCE & HOLD YOUR BREATH
Toronto International Film Festival 2024: HERETIC, PRESENCE & HOLD YOUR BREATH

The Toronto International Film Festival brought quite the number of horror films this year. Kevin L. Lee reviews Heretic, Presence and Hold Your Breath.

THE CROW: An Exercise In Why
THE CROW: An Exercise In Why

The Crow struggles to connect with audiences due to its lack of compelling character development and chemistry.

Toronto International Film Festival 2024: THE ASSESSMENT & EMILIA PEREZ
Toronto International Film Festival 2024: THE ASSESSMENT & EMILIA PÉREZ

Both The Assessment and Emilia Pérez demonstrate the versatility of a festival like TIFF, which is always inclusive of all genres and subgenres of cinema.

Toronto International Film Festival 2024: SHEPHERDS (BERGERS) & THE MOTHER AND THE BEAR
Toronto International Film Festival 2024: THE MOTHER AND THE BEAR & SHEPHERDS (BERGERS)

On this TIFF report, Kristy Strouse reviews The Mother and the Bear and Shepherds – two unforgettable films on a path to self discovery.

MATT AND MARA: Screaming (Emotional) Infidelities
MATT AND MARA: Screaming (Emotional) Infidelities

Matt and Mara is the kind of film where, on the surface, it might seem that nothing is happening, but even the smallest moments can impact.

Toronto International Film Festival 2024: THE SUBSTANCE & THE LAST SHOWGIRL
Toronto International Film Festival 2024: THE SUBSTANCE & THE LAST SHOWGIRL

Both The Substance and The Last Showgirl evaluate mortality by leaning on their respective stars’ relationship with celebrity in real life.

SUBSERVIENCE: M3gan Fox

While Subservience knows how to deploy its star, it still can’t fully live up to the promise of this meta-premise or her talents as a performer.

GIRLS WILL BE GIRLS: Multi-Generational Growing Pains

Girls Will Be Girls is a powerful examination of how the patriarchy continues to punish girls/women for pushing back against the narrow roles prescribed.

Toronto International Film Festival 2024: ON SWIFT HORSES & WITHOUT BLOOD
Toronto International Film Festival 2024: ON SWIFT HORSES & WITHOUT BLOOD

Both TIFF films yearn to be more than what they actually are, but alas, gets stranded in a middle ground of mediocrity.