Film Reviews
Heart Eyes is an ode to holiday horror-slasher films of the past, coming into a space that has been left vacant for a while and solidly planting their flag.
We’re taking a look at a documentary following a conservative musical theater production and an ensemble dark comedy about people acting out in suburbia.
Teal and orange have made a serious comeback, at least in Frederik Louis Hviid’s new…
Any chance I get to live vicariously through someone else’s experience in Japan, I’ll take…
In the end Eat the Night manages to make myself, a video-game skeptic, more of a believer of its affecting power.
Captain America: Brave New World is not the movie that will bring Marvel skeptics back to the franchise. Underneath, it’s still the same formula.
Here’s an ice-cold take: movies nowadays are too damn long. Obviously, this is all relative;…
Sundance this year has Twinless, an audacious exercise in storytelling, and Train Dreams that is equally as compelling.
Love Hurts is still worth a watch, if only for Quan’s tour-de-force performance.
Armand is at its best when it serves as a showcase for its quartet of talented lead actors.
A Knight’s War blends classic fantasy motifs and adding a dark, unique edge that’s visually gripping.
Rewatching Singin’ in the Rain, arguably the greatest Hollywood musical ever made, my wife and…
At its best River uses the broad ensemble comedy of Japan in ways that evoke the best ensemble pieces like Noises Off or Christopher Guest’s work.
From sharp satire to raw emotion and meta-commentary, these three films take wildly different approaches to storytelling in this Sundance Film Festival.
With uninspired performances, bland writing, and half-baked plot twists, Flight Risk found its wings clipped before it ever had a chance to take off.