Film Festivals
Steve Coogan and Paul Rudd star in Ideal Home, a comedy about an upper middle class couple that feels out of touch, and severely outdated.
Vox Lux is a weighty experience guaranteed to take a toll on viewers, both from its philosophical musings and its uncompromising look at 21st century violence.
We spoke with Chicago International Film Festival Artistic Director, Mimi Plauché, about her experiences as artistic director and working in Chicago.
Boy Erased is a sturdy drama with some touching moments and strong performances, enhanced by much-needed glimpses of dramatic sensitivity within the confines of a tough story.
In his final Film Fest 919 recap, Josh Martin delves into Jake Gyllenhaal’s latest, a challenging take on the Western and the most delightful film of the festival.
Our report from Chicago International Film Festival, with reviews of, among others, Friedkin Uncut, In the Aisles, and Father the Flame.
Our latest report from LFF includes a nice mix of crowd pleasers in-waiting, anticipated auteur efforts, and a slew of arthouse discoveries.
For this latest report from Film Fest 919, we into Robert Redford’s final film, the documentary about Orson Welles, and a Hillary Swank-starring drama.
We spoke with Joe Penna, director of the upcoming survival film starring Mads Mikkelsen called Arctic, about shooting in island and his transition from Youtube.
Two reviews of films from the Lavazza Italian Film Festival, Loro by Paolo Sorrentino and Boys Cry, a gangster film from the D’Innocenzo Brothers.
Roma is a film that improves with each passing minute; even though occasionally underwhelming, the longer it lingers in your mind, the more of an impact it will have.
Green Book is cinematic comfort food, equipped with witty performances and the aura of social importance, yet undistinguishable from the tons of other polite Oscar dramas that came before it.
Alex Lines reports on the films he was able to see at the Delphi Bank 25th Greek Film Festival, which celebrates the film movement known as the Greek Weird Wave.
In our first report from Film Fest 919, Josh Martin recounts the nauseating absurdity of Dogman, memorably fascinating Destroyer and Cannes’ Palme d’Or Shoplifters.