Film Festivals
Be it a gripping thriller or a moving and thought-provoking social commentary, when it comes to documentaries the Glasgow Film Festival has you covered.
Just when I thought coming-of-age fatigue is about to kick in, Booksmart overwhelms with its confident energy and wisdom.
Musanna Ahmed looks at four documentaries from this year’s Human Rights Watch Film Festival; The Cleaners, Bellingcat, Anbessa and The Feeling of Being Watched.
The Art of Self-Defense is not only a must-see, it’s an easy contender for the best film of the year so far.
The Day Shall Come is so cartoonish that it just doesn’t feel believable or possible, let alone historical fact.
A pleasant surprise, Long Shot is an absolute must-see if you are a fan of Charlize Theron and Seth Rogen.
We spoke to actor Cory Michael Smith about his debut lead role in 1985, which played at the Melbourne Queer Film Festival.
Us embraces puzzling imagery and timing to evoke a sense of interpretative meaning, which leads to personal intimacy with the viewer.
Her Smell never overstays its welcome, thanks to a stellar ensemble, Alex Ross Perry’s solid script, and Elisabeth Moss’s powerhouse performance.
We highlight the 2019 Human Rights Watch Film Festival international line-up of films promising to offer critical insight into local and global human rights concerns.
In our second review from SXSW 2019, Hazem Fahmy reviews The Beach Bum – a fantasy with no real-life application.
After an enormously successful debut with Get Out, Jordan Peele delivers another bold film with Us, and seems to be creating a whole new genre.
We were able to talk with Yen Tan, writer and director of the 1980s-set drama about AIDs called 1985.
At this year’s Sundance Film Festival we sat down with To The Stars director Martha Stephens and leads Liana Liberato and Kara Hayward.
Our editor-in-chief Manon de Reeper was able to attend the Coven Film Festival in San Francisco, a festival devoted to short films made by women.