Film Festivals
During Sundance Film Festival, Kristy Strouse spoke with writer, director and star Linas Phillips about the process and concept of The Ride.
At Sundance 2020, Kristy Strouse attended the International Screenwriters’ Association’s Table Read My Screenplay event and interviewed winner M Rowan Meyer.
In her latest report from the 2020 Sundance Film Festival, Janet Lee reviews The Mountains Are A Dream That Calls to Me and Save Yourself!
With Never Rarely Sometimes Always, Eliza Hittman has crafted an important piece of cinema, which demands a lot from its audience, but also has an enormous amount to give back.
In only its second year, COVEN Film Festival has burst onto the San Francisco film scene, packing a bounty of women-helmed films into a single weekend.
In her second report Kristy Strouse reviews Josephine Decker’s Shirley and Alan Ball’s Uncle Frank.
Kristy Strouse shares her first report from Sundance with three suspenseful features: High Tide, Black Bear and The Night House.
Janet Lee reports from Sundance Film Festival with her reviews of A24 documentary Boys State, and Colombian-American film Blast Beat.
The Killing of Two Lovers ineptly attempts to depict a man navigating the various extremes of modern manhood.
As recording events has become easier and more integrated in our fast-paced high-tech society, Births, Deaths and Marriages celebrates those who recorded those past memories that we absolutely cherish today.
Nine Days is Brazilian director Edson Oda’s feature debut, and he is off to an amazing start with this beautiful, meditative film.
Wilson Kwong spoke with Bo Burnham, co-star of Promising Young Woman, at Sundance 2020, about his experience acting in a bigger role after coming off directing Eighth Grade.
The latest film by Eliza Hittman, Never Rarely Sometimes Always tackles the barriers women experience when faced with an unintended pregnancy. We spoke with the filmmakers.
At Sundance 2020, Wilson Kwang sat down with Gary Hamilton, producer of Possessor, Brandon Cronenberg’s new film.
At Sundance 2020, Wilson Kwong sat down with cinematographer Eric Branco to talk about his work on The 40-Year-Old Version.