Film Festivals
Clapboard Jungle crafts a vitally important piece of cinema that will certainly resonate with anyone who has an appreciation for the art form itself.
The triumph of The Columnist goes beyond an intimate understanding of the problems of the digital age, to a solid grasp on how that culture makes monsters.
Our coverage of the 2020 Sheffield Doc/Fest’s continues with reviews of Shut Up Sona, The Go-Go’s and Bitter Butter.
We continue our 2020 coverage of the Melbourne Documentary Film Festival with two more reviews: Man on The Bus and Can Art Stop A Bullet?
Our coverage of the 2020 Sheffield Doc/Fest’s online program begins with reviews of We Have Boots, Flint, and Me and the Cult Leader.
Alex Lines had the chance to talk with co-director Justin Feltman about his documentary Hamtramck, screening at Melbourne Documentary Film Festival.
While The White Storm 2: Drug Lords is an entertaining piece of filmmaking, it just fails to engage in a way that its premise would have suggested.
We spoke with Gavin Rothery, the director of Archive, which explores new territory in sci-fi themes like memory, humanity, loss, and fear of replacement.
Chasing Dream has a lot of the trademark technical and narrative notes that seem fitting of a To-helmed Milkyway Image production.
Ahead of the film’s screening at this year’s Melbourne Documentary Film Festival, I had the chance to talk with director, Posy Dixon, about her documentary.
The acclaimed Melbourne Documentary Film Festival has arrived in the digital realm. Here are our selections for the top five:
Alex Lines spois with director Iván Castell about his latest music revival documentary The Rose of the Synths.
Wilmington on Fire maintains its path of creating a strong and comprehensive account of the political mood of the time and the world that was left.
For this report from the virtual Sydney Film Festival 2020, we delve into thirteen of the short film finalists.
Here is a look at the documentary finalists for the 67th edition of The Sydney Film Festival: Virtual Edition.